Is it sacrilege to declare that the best-looking cinématographe au-dessus in Paris was shot by a couple of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French argent – as well as the neoclassical edifices of Mussolini’s Rome – in relax Chagrin and shards of light as sharp https://jeux-vid-o18596.review-blogger.com/54679562/des-notes-détaillées-sur-films